![]() Barry Harris has a whole cosmology of scales and tones that starts with chromatics, splits into diminished and ends with sixth chords. Just learning the harmonic scale will give you access to these sounds, but being able to pick out all the arpeggios within it can give you a richer starting point for your lines.Īnother key use of the Harmonic Minor in jazz is the 'Barry Harris' approach. ![]() While the Harmonic Minor is a great choice for the Min-Maj7 chords and sounds in tunes like Nica's Dream and Nardis, the harmonic minor is probably most used in jazz for altered sounds - using the Phrygian Dominant over a #11 chord or the Ultra-Locrian for tri-tone colors over a functional Dominant. ![]() Once you understand the chord tones for a mode, then you can 'flesh out' the rest of the scale around it.įor the novice jazzer, it is less useful to understand this material for compositional movements, than to just be aware of the arpeggios that are buried within this scale. Not only are they less notes to focus on, but they are lines in themselves that make succinct, harmonic 'sense' out of the modes. ![]() As with the other Scale PDFs, it might be worthwhile to start with the arpeggios for each mode.
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